On a number of occasions Ryuichi Sakamoto has joined in on Sketch Show performances and recording sessions. [31], The band was popular with the emerging hip hop community, which appreciated the group's new electronic sounds, and in the Bronx where "Firecracker" was a success and sampled in the famous Death Mix by Afrika Bambaataa. The early 2000s saw Hosono and Takahashi reunited in a project called Sketch Show. Although the primary YMO members (Yukihiro Takahashi, Haruomi Hosono, and Ryuichi Sakamoto) are effectively known as HASYMO and played both these concerts, these concerts were billed simply as "YMO" but featured only 4 YMO songs in each concert while the rest of the concert featured Sketch Show, HASYMO music and member's solo works. ", "Chris Mosdell, quirky Boulder lyricist, wrote lyrics for newly released Michael Jackson song", "Pioneering Production Economy in the '80s", "Q&A With Ryuichi Sakamoto: Pop Pioneer And Producer And Award-Winning Soundtrack Composer", "Big in Japan: Yellow Magic Orchestra & Cibo Matto | Hollywood Bowl Presented by LA Phil", "Sakamoto gently rallies the troops for No Nukes 2012 | The Japan Times Online", "Yellow Magic Orchestra on Kraftwerk and How to Write a Melody During a Cultural Revolution", "Turning Japanese: The Philosophy of Ryuichi Sakamoto", "It's Easy When You're Big In Japan: Yellow Magic Orchestra at The Hollywood Bowl", "The History Of Roland Part 1: 1930–1978", "Slaves to the rhythm: Kanye West is the latest to pay tribute to a classic drum machine", "Peter Stenshoel's Album of the Week: What, Me Worry? It featured English lyrics by Chris Mosdell, whose sci-fi themes often depicted a human condition alienated by dystopic futures, much like the emerging cyberpunk movement in fiction at that time. [17] The three worked together again for the 1978 album Pacific, which included an early version of the song "Cosmic Surfin". auch außerhalb Japans bekannt. Their first single under this name, "Rescue", was written for the film Appleseed EX Machina. They added classic songs from their back catalog into their set list. YELLOW MAGIC ORCHESTRA is a Japanese-techno-art-pop group. Their first live album Public Pressure set a record in Japan, topping the charts and selling 250,000 copies within two weeks, while their next studio album X∞Multiplies had 200,000 pre-orders before release. Various cover versions of "Kimi ni Mune Kyun" (1983) have also been produced by other artists,[73] including The Human League in 1993 ("YMO Versus The Human League")[74] and Asako Toki in 2006. Takahashi, in particular, would play the band's material in his concerts. [77], The band has also been very influential in its homeland Japan, where they had become the most popular group during the late 1970s and 1980s. Find Yellow Magic Orchestra bio, music, credits, awards, & streaming links on AllMusic - Pioneering Japanese synth-pop group second only… He described Kraftwerk's music as "theoretical, very focused, simple and minimal and strong". [100], 1978–1983: National and international success, 2002–present: Post-breakup and reformation, YMO – Rydeen 2 (2003 television interview), Tokyo National University of Fine Arts and Music, Learn how and when to remove this template message, Dragon Ball Z: Bardock – The Father of Goku, "Sakamoto hears music's sounds, not its styles", "Back to the future: Yellow Magic Orchestra helped usher in electronica – and they may just have invented hip-hop, too", Harry Hosono And The Yellow Magic Band – Paraiso, Ryuichi Sakamoto – Thousand Knives Of (CD), "Yellow Magic Orchestra: The Pre-MIDI Technology Behind Their Anthems", Yellow Magic Orchestra – Yellow Magic Orchestra, "Artists and producers strive for inroads overseas", "Behind the Mask – Michael Jackson's rarest recording? https://de.wikipedia.org/w/index.php?title=Yellow_Magic_Orchestra&oldid=204529953, „Creative Commons Attribution/Share Alike“. [citation needed], The band's 1978 self-titled album Yellow Magic Orchestra was successful and the studio project grew into a fully fledged touring band and career for its three members. [citation needed] During their brief reunion in the early 1990s, they continued to experiment with new styles of electronic music, playing an instrumental role in the techno and acid house movements of the era.[37]. [16], "Technopolis", a tribute to Tokyo as an electronic mecca that used the term "techno" in its title, foreshadowed concepts that Juan Atkins and Rick Davis would later have with Cybotron. [35], The band had paused their group activities by 1984. According to SF Weekly, YMO's musical timeline has gone from "zany exotica-disco spoofs" and "bleeps and blips" in the 1970s to "sensuous musique concrète perfected" in their 1983 albums Naughty Boys and Service. [18] Hosono and Sakamoto also worked together alongside Hideki Matsutake in early 1978 for Hosono's experimental "electro-exotica" fusion album Cochin Moon, which fused electronic music with Indian music, including an early "synth raga" song "Hum Ghar Sajan". Yellow Magic Orchestra Fan-Report: Bewertungen und Rezensionen Sie waren dabei? Die Mitglieder sind Haruomi Hosono (Bass), Yukihiro Takahashi (Schlagzeug) und Ryuichi Sakamoto (Keyboard). 04:57 Autor: Chris Mosdell / Komponisten: Yellow Magic Orchestra - Haruomi Hosono. Informationen zu Yellow Magic Orchestra (Japan) inkl. [23] The band was initially conceived as a one-off studio project by Hosono, the other two members being recruited session musicians—the idea was to produce an album fusing orientalist exotica with modern electronics, as a subversion of Orientalism and exoticization. [60] While it was commercially unsuccessful due to its high price,[60] the band were among the few bands at the time to utilize the MC-8, which they described as, along with its music programmer Hideki Matsutake, an "inevitable factor" in both their music production and live performances. [6] The same year, their albums Solid State Survivor and X∞Multiplies held the top two spots on the Oricon charts for seven consecutive weeks, making YMO the only band in Japanese chart history to achieve this feat. An der Welttournee 1979 war Gitarrist Kazumi Watanabe als Gast beteiligt. [4] The group is considered influential and innovative in the field of popular electronic music. [49] YMO were one of the most important acts in Japan's "New Music" movement and paved the way for the emergence of contemporary J-pop in the 1980s. "[5] In 2001, Jason Ankeny of the Allmusic Guide to Electronica described YMO as "a seminal influence on contemporary electronic music – hugely popular both at home and abroad" and placed them "second only to Kraftwerk as innovators of today's electronic culture. 02. The three members were veterans of the music industry before coming together as YMO, and were inspired by eclectic sources, including the electronic music of Isao Tomita and Kraftwerk, Japanese traditional music, arcade games, funk music, and the disco productions of Giorgio Moroder. [73] In 2009, a cover of "Kimi ni Mune Kyun" was used as the ending theme song for the anime adaptation of Maria Holic, sung by Asami Sanada, Marina Inoue, and Yū Kobayashi, the voice actresses of the main characters. On June 23, 2018, Hosono played his debut UK solo concert at the Barbican Centre in London; Takahashi and Sakamoto joined him on stage to perform "Absolute Ego Dance". 01. © 2019 Billboard Media, LLC. In 2015, in the anime Sound! [4][6][7], Solid State Survivor, released in 1979, was YMO's pinnacle recording in Japan, winning the 1980 Best Album Award in the Japan Record Awards. by Yukihiro Takahashi", "Yellow Magic Orchestra Versus Human League, The – YMO Versus The Human League", "Mariah 'Ripped Off' Twice on Same Record", "Derrick May on the roots of techno at RBMA Bass Camp Japan 2010", Hi-Tech/No Crime: Yellow Magic Orchestra Reconstructed, "Ikonika interview: Producer and DJ, Ikonika had an incredible 2010", "Camouflage Emphasizes That It Is Its Own Band", "Yellow Magic Orchestra & Friends: The Influence of Japanese Technopop", "Nothin' Like the Reel Thing: Soundtrack & Film Score News", "Popular Computer's Top 5 Japanese Music Artists", EUYMO – Yellow Magic Orchestra Live in London + Gijón 2008, UC YMO: Ultimate Collection of Yellow Magic Orchestra, Tighten Up (Japanese Gentlemen Stand Up Please! Public Pressure. [22] Hosono, Sakamoto and Takahashi eventually collaborated again to form the Yellow Magic Orchestra and they began recording their self-titled album at a Shibaura studio in July 1978. In ihrer asiatischen Heimat genießen sie ein ähnliches Ansehen als Pioniere der elektronischen Musik wie etwa die Gruppe Kraftwerk in Europa und Nordamerika. Recently performing live as Human Audio Sponge; Hosono, Sakamoto and Takahashi did a live performance together as Yellow Magic Orchestra for the Live Earth, Kyoto, event on July 7, 2007, which raised money and awareness of a "climate in crisis". For their early recordings and performances, the band was often accompanied by programmer Hideki Matsutake. [12] Yellow Magic Orchestra and Ryuichi Sakamoto's Thousand Knives were one of the earliest popular music albums to utilize the Roland MC-8 Microcomposer, which was programmed by Hideki Matsutake during recording sessions. [16] For some time, YMO was the most popular band in Japan. Genres: Synthpop, Electropop, City Pop. Yellow Magic Orchestra. [16][50] According to The Vinyl District magazine, they also released the first album to feature mostly samples and loops (1981's Technodelic). 17 in the UK Charts. The group is considered influential and innovative in … "[45] Kraftwerk was particularly an influence on Sakamoto, who heard the band in the mid-1970s and later introduced them to his fellow band members. [37] The band's use of oriental musical scales and video game sounds has continued to be an influence on 21st-century electronica acts such as Dizzee Rascal, Kieran Hebden,[16] and Ikonika. 4,5 von 5 Sternen 84. [7], YMO were pioneers of synthpop, a genre whose emergence at the start of the 1980s some have argued was the most significant development in melodic pop music since the Sixties and the Beatles. 04:03 Autor: Chris Mosdell / Komponisten: Yukihiro Takahashi. [54] Their 1978 hit "Computer Game / Firecracker", for example, sampled Martin Denny's 1959 exotica melody "Firecracker"[16] and arcade game sounds from Space Invaders and Circus. [62], At the time, Billboard noted that the use of such computer-based technology in conjunction with synthesizers allowed YMO to create new sounds that were not possible until then. [28], Yellow Magic Orchestra released one-off reunion album, Technodon, and credited it to 'NOT YMO' (YMO crossed out with a calligraphy X) or YMO in 1993. The song was later revised by Michael Jackson, who added new lyrics and had intended to include it in his album Thriller. The band closed the night, and confirmed that "Yellow Magic Orchestra" is their official name, dropping the HASYMO title. Preview, buy, and download songs from the album Yellow Magic Orchestra, including "Computer Game "Theme from The Circus"," "Firecracker," "Simoon," and many … [20] Thousand Knives was also notable for its early use of the microprocessor-based Roland MC-8 Microcomposer music sequencer, with Matsutake as its music programmer for the album. They helped pioneer synthpop, modern J-pop, techno, and house music. 11,70 € Weiter. Yellow Magic OrchestraBGM (180g) Auf ihrem vierten Album, »BGM« von 1981, nahm das Yellow Magic Orchestra den Faden des Vorgängers »Xi Multiplies« wieder auf, begab sich tiefer in das Reich von Synthesizern und Drumcomputern und experime…. [30], The 1980 song "Multiplies" was an early experiment in electronic ska. "[76], YMO are considered pioneers in the field of popular electronic music, and continue to be remixed or sampled by modern artists,[4] including experimental artist Yamantaka Eye, electronica group LFO, jungle band 4hero, electrolatino artist Senor Coconut, ambient house pioneers The Orb and 808 State,[11] electronic music groups Orbital[27] and The Human League,[74] hip hop pioneer Afrika Bambaataa,[3] and mainstream pop musicians such as Michael Jackson, Quincy Jones, Greg Phillinganes,[27] Eric Clapton, Mariah Carey, and Jennifer Lopez. Im Jahr 1979 nahmen ‘Yellow Magic Orchestra’, das erste in der Geschichte der Popkultur festgehaltende Album mit Hilfe des damals ganz neuen ‘Roland MC-8 MicroComposer’ auf. Diese Zusammenarbeit führte dann zum Projekt Y.M.O. [21][22], While Sakamoto was working on Thousand Knives, Hosono began formulating the idea of an instrumental disco band which could have the potential to reach success in non-Japanese-language territories, and invited Tasuo Hayashi of Tin Pan Alley and Hiroshi Sato of Uncle Buck as participants, but they declined. [40] Not long after, a concert for June 27, 2011, at The Warfield was added. All Rights Reserved. [80] YMO continued to influence later techno musicians such as Surgeon, μ-Ziq, and Cosmic Baby. In August 2010, YMO once again closed their World Happiness festival. Mehr von Yellow Magic Orchestra gibt es im Shop. Dieses Genre wurde Ende der 1970er Jahre von ihnen maßgeblich mitbeeinflusst. [21][23] Roland called the MC-8 a "computer music composer" and it was the first stand-alone microprocessor-based music sequencer. [81] "Computer Game" (1978) was later included in Carl Craig's compilation album Kings of Techno (2006). innerhalb 1-2 Wochen. Prior to the group's formation, Sakamoto had been experimenting with electronic music equipment at the Tokyo National University of Fine Arts and Music, which he entered in 1970, including synthesizers such as the Buchla, Moog, and ARP. [citation needed] Solid State Survivor included several early computerized synth rock songs,[6][28] including a mechanized cover version of "Day Tripper" by the Beatles. The band have reunited in 2007 for an advertising campaign for Kirin Lager which lampooned their longevity and charted No.1 on various Japanese digital download charts (including iTunes Store chart) with the song "Rydeen 79/07", released on Sakamoto's new label commmons. [16] Their albums Solid State Survivor and X∞Multiplies held the top two spots on the Oricon charts for seven consecutive weeks in 1980, making YMO the only band in Japanese chart history to achieve this feat. Read Full Biography. ist ein japanisches Musiktrio, das sich auf Elektropop spezialisiert hat. Yellow Magic Orchestra. Sie werden auch dort als Pioniere anerkannt und ihre Musik wird ungebrochen geremixt und gesampelt. Die vollständige Titelliste sehen (8 Titel) (P) 1978 Alfa Music, Inc. 12-11-1978 Yellow Magic Orchestra. Public Pressure. Oktober 2020 um 00:27 Uhr bearbeitet. Euphonium, episode 5, the song "Rydeen" is played by Kitauji highschool's orchestra. Solid State Survivor. In 2012, Sakamoto helped organize the No Nukes 2012 festival held in the Makuhari Messe hall in Chiba, Japan on July 7 and 8, 2012. While their contemporaries in Düsseldorf, and later Detroit, were using synthesizer technology to create bleak dystopian music, YMO introduced a more "joyous and liberating" approach to electronic music. Diese Einkaufsfunktion lädt weitere Artikel, wenn die Eingabetaste gedrückt wird. [10] "Behind the Mask" (1979) made use of synthesizers for the melodies and digital gated reverb for the snare drums. [62] While the machine was initially unsuccessful due to its lack of digital sampling that the rival Linn LM-1 offered, the TR-808 featured various unique artificial percussion sounds,[62] including a deep bass kick drum,[63][64] "tinny handclap sounds",[64] "the ticky snare, the tishy hi-hats (open and closed)", and "the spacey cowbell",[62] which YMO utilized and demonstrated in their music, as early as its year of release in 1980, paving the way for the TR-808's mainstream popularity several years later,[62][63] after which it would be used for more hit records than any other drum machine[65] and continue to be widely used through to the present day. Noch heute kann man am Haarschnitt japanischer Geschäftsleute (Techno cut) erkennen, wie groß der Einfluss Yellow Magic Orchestras auf die japanische Modewelt war. ist ein japanisches Musiktrio, das sich auf Elektropop spezialisiert hat. They were careful to avoid saying they had "split up", preferring to use the Japanese phrase meaning "spreading out" (散開, sankai), and the trio continued to play on each other's recordings and made guest appearances at live shows. [41] It was announced in February that YMO will perform at the Fuji Rock festival in July and the World Happiness festival 2011 on August 7 where they will debut new songs. Much of the methods and techniques developed by both Tomita and Matsutake during the early 1970s would later be employed by Yellow Magic Orchestra. "[6], Other electronic equipment used by the group included the LMD-649 sampler (see Sampling above),[56] Roland MC-4 Microcomposer sequencer,[22] Pollard Syndrum electronic drums,[23] Roland VP-330 and Korg VC-10 vocoders,[23][22] Yamaha CS-80 and DX7 synthesizers,[67][22] Korg PS-3100 and PS-3300 synthesizers,[23][22] Moog III-C and Polymoog synthesizers, and ARP Odyssey, Oberheim 8 Voice and E-mu Emulator synthesizers. [53] Sakamoto has expressed that his "concept when making music is that there is no border between music and noise. Autor: John Lennon - Paul MaCartney / Komponisten: Yellow Magic Orchestra - John Lennon - Paul MaCartney. Yellow Magic Orchestra - Samples, Covers and Remixes on WhoSampled. Meanwhile, Sakamoto would gain international success for his work as a solo artist, actor, and film composer,[36] winning Grammy, Oscar and Golden Globe awards. [26] Despite the approval of songwriter Sakamoto and lyricist Chris Mosdell, it was eventually removed from the album due to legal issues with YMO's management. HASYMO played two live concerts in Europe in the summer of 2008, one at the Royal Festival Hall, London on June 15, as part of the Meltdown festival of music curated by Massive Attack and another in Gijón, Spain, on the 19th. Bewertung, Yellow Magic Orchestra Usa & Y. Disco, Pop, Import-Can, SYMPHONIC Der eigentliche Gedanke hinter dem Projekt war, ein Album zu produzieren, das Exotica-Klänge mit moderner elektronischer Musik verband. YMO was initially conceived by Hosono as a one-off exploration of computerized exotica and parody of Western conceptions of the orient. Ballet Songtext von Yellow Magic Orchestra mit Lyrics, deutscher Übersetzung, Musik-Videos und Liedtexten kostenlos auf Songtexte.com [46] Their alternative template for electronic pop was less minimalistic, made more varying use of synthesizer lines, introduced "fun-loving and breezy" sounds,[47] and placed a strong emphasis on melody[45] in contrast to Kraftwerk's statuesque "robot pop". [84], YMO's success with music technology encouraged many others, with their influence strongly felt in the British electronic scene of the early 1980s in particular. Das Yellow Magic Orchestra (Y.M.O.) nun einen internationalen Deal angeboten, so dass die drei Mitglieder beschlossen, dem Projekt gegenüber ihren Solokarrieren Priorität einzuräumen. Für die darauf folgende Tour wurden sie als Not YMO angekündigt. 05:14 Komponisten: Yukihiro Takahashi. Informationen zum Album X ∞ Multiplies (1980) von Yellow Magic Orchestra Unter anderem, um Rechtsstreitigkeiten zu verhindern, veröffentlichten sie 1993 das Album Technodon, diesmal allerdings unter dem Namen YMO. [96] The band significantly affected Japanese pop music, which started becoming increasingly dominated by electronic and computer music due to YMO's influence. The band was named "Harry Hosono and the Yellow Magic Band" as a satire of Japan's obsession with black magic at the time,[16] and in late 1977 they began recording Paraiso, which was released in 1978. They opened with a cover of "Hello, Goodbye" and performed old YMO songs along with their newer songs.[38]. Titel von Yellow Magic Orchestra gibt es schon ab 0,99 €. Hosono also contributed to one of Sakamoto's songs, "Thousand Knives", in the album. 1984, nach Veröffentlichung ihres Soundtracks "Propaganda", widmeten sich die Bandmitglieder wieder ihren Solokarrieren, spielten aber dort weiterhin zusammen und traten auch weiter in TV-Sendungen auf. Profile: Japanese electropop band, formed in 1978. [10][15], Sakamoto first worked with Hosono as a member of his live band in 1976, while Yukihiro Takahashi recruited Sakamoto to produce his debut solo recording in 1977 following the split of the Sadistic Mika Band. After the release of their musical motion picture Propaganda, the three members had returned to their solo careers. [19] The same year, Sakamoto released his own solo album, The Thousand Knives of Ryuichi Sakamoto, experimenting with a similar fusion between electronic music and traditional Japanese music in early 1978. [88][89] The "terse videogame-funk" sounds of YMO's "Computer Game" would have a strong influence on the emerging electro and hip hop genres. They released the surprise global hit "Computer Game" in 1978, reaching the UK Top 20 and selling 400,000 copies in the US. [8] They are credited with playing a key role in the development of several electronic genres, including synthpop, J-pop, electro, and techno, while exploring subversive sociopolitical themes throughout their career.[9]. [31] X∞Multiplies was followed up with the 1981 album BGM. [4] YMO also popularized a style of live performance that eschewed human movement in favour of electronics such as rhythm boxes and samplers. [16] Afrika Bambaataa's influential song "Planet Rock" was partly inspired by YMO. Finden Sie perfekte Stock-Fotos zum Thema Yellow Magic Orchestra sowie redaktionelle Newsbilder von Getty Images. ist ein japanisches Musiktrio, das sich auf Elektropop spezialisiert hat. [82], In the 1990s, YMO influenced ambient house pioneers such as The Orb and 808 State,[11] as well as Ultramarine and other ambient/house artists. Jahrhunderts von ihnen maßgeblich mitbeeinflusst. [24] Following the release of the album Yellow Magic Orchestra, a live date at the Roppongi Pit Inn was seen by executives of A&M Records of the USA who were in the process of setting up a partnership deal with Alfa Records. Yellow Magic Orchestra discography and songs: Music profile for Yellow Magic Orchestra, formed 1978. Hosono holte daraufhin beide zur Fertigstellung seines Albums “Paraiso” ins Boot. Computer Game "Theme from The … 01. Amazon.de/musik: Yellow Magic Orchestra (Ymo) – Yellow Magic Orchestra Usa & Y jetzt kaufen. Dieses Genre wurde Ende der 1970er Jahre von ihnen maßgeblich mitbeeinflusst. Pioneering Japanese synth-pop group second only to Kraftwerk in influence. [77], YMO also influenced techno music,[78] including its pioneers Juan Atkins, Kevin Saunderson, and Derrick May,[79] who cited YMO as an important influence on their work alongside Kraftwerk. A&M wollte zu dieser Zeit eine Fusion mit Alfa Records in Tokio diskutieren. They released a new two song single titled "The City of Light/Tokyo Town Pages" on August 6, 2008. Download original Guitar Pro tab. Die Mitglieder sind Haruomi Hosono (Bass), Yukihiro Takahashi (Schlagzeug) und Ryuichi Sakamoto (Keyboard). [22][23] The group leader Haruomi Hosono had already been using an Ace Tone rhythm machine since early in his career in the early 1970s. Making abundant use of new synthesizers, samplers, sequencers, drum machines, computers and digital recording technology as it became available, as well as utilizing cyberpunk-ish lyrics sung mostly in English, they extended their popularity and influence beyond Japan. 03. ‘Computer Game/Firecracker’ ist der Hit de sie weltweit bekannt machte: 16.02.2020. Das Debütalbum war dann auch sehr erfolgreich, was nicht zuletzt an der hervorragenden Produktion lag, und das Studioprojekt verwandelte sich in eine ausgewachsene Tourband und machte beachtliche Karriere. Die LP Yellow Magic Orchestra: Solid State Survivor jetzt portofrei für 23,99 Euro kaufen. Die erfolgreichste Singleauskopplung aus dem Album und Y.M.O.s größter internationaler Hit, Behind the Mask, wurde später von Ryuichi Sakamoto für eine Soloveröffentlichung 1987 neu bearbeitet. Seite 1 von 1 Zum Anfang Seite 1 von 1 . [69][70] By the 1990s, YMO were also frequently cited as pioneers of ambient house music. [3][34] According to The Guardian, they "may have just invented hip-hop"; the hip-hop pioneer Afrika Bambaataa credited the band as an inspiration and once remarked that YMO invented hip hop music (in a half-joking manner). Track 2 on 'Yellow Magic Orchestra' (1978)Written by Martin DennyLYRICS:Instrumental-uploaded in HD at http://www.TunesToTube.com Billboard is a subsidiary of Valence Media, LLC. Wählen Sie aus erstklassigen Inhalten zum Thema Yellow Magic Orchestra in … [29] By 1980, YMO had become the most popular group in Japan, where they were performing to sold-out crowds. [6] The single "Computer Game" had sold 400,000 copies in the United States[6] and reached No. [75] In 2006, Senor Coconut paid tribute to the band with his Yellow Fever! Diskographie (CDs, LPs, ...), Biographie, Links, etc. Durch eine Werbekampagne mit Fujifilm löste die Gruppe einen Boom elektronischer Popmusik in Japan aus (dort Technopop genannt), vergleichbar mit jenem, den die Beatles und der Merseybeat in den 1960er Jahren in England auslösten. [31] "Computer Game" (1978) also influenced Sheffield's bleep techno music; the Warp record, Sweet Exorcist's "Testone" (1990), defined Sheffield's techno sound by making playful use of sampled sounds from "Computer Game" along with dialogues from the film Close Encounters of the Third Kind (1977). Following an advertising deal with Fuji Cassette, the group sparked a boom in the popularity of electronic pop music, called "technopop" in Japan,[16][6] where they had an effect similar to that of the Beatles and Merseybeat in 1960s Britain. Diese Seite wurde zuletzt am 14. In 1993, Johnny Black of Hi-Fi News, in a review for the record Hi-Tech/No Crime, described YMO as "the most adventurous and influential electro-techno-dance technicians the world has produced" and further argued that "without them (and Kraftwerk) today's music would still sound like yesterday's music. "[53], Their approach to sampling music was a precursor to the contemporary approach of constructing music by cutting fragments of sounds and looping them using computer technology. They also covered "Hello, Goodbye" and "Thank You (Falettinme Be Mice Elf Agin)". In ihrer asiatischen Heimat genießen sie ein ähnliches Ansehen als Pioniere der elektronischen Musik wie etwa die Gruppe Kraftwerk in Europa und Nordamerika.