Barrie and his masterpiece entitled, . When Peter eventually tears the sheet apart and discovers the new landscape he has set foot in, the camera ultimately places itself behind the sheet, so that the harbor is revealed like theatrical scenery behind the raised curtain. Die verwirrte Wendy geht zu Hook, der ihr anbietet, seiner Crew beizutreten. It is also a conspicuous way for the directors to make their presence felt and hint at the fact they organize information and display actions in a certain way. And in my dream I was magnanimous, full of forgiveness.” He pauses to drink from a gilded cup, his long black hair cascading down his naked torso. Peter Pan. Peter Pan. Barrie and his masterpiece entitled Finding Neverland. J. M. Barrie's Peter Pan In And Out of Time: A Children's Classic at 100. He is described as a "betwixt-and-between" a boy and a bird. The first performances took place in London as early as 1904, following which the play was quickly brought to New York, under the supervision of Barrie’s impresario and friend, Charles Frohman. Jason Isaacs and Jeremy Sumpter. My thesis is that if Brenon was limited by technical constraints and his film clearly aimed to respect the stage tradition of Peter Pan, the four other directors and their crew used typical features of drama – factitious settings, garish costumes, emphatic performances of actors, etc – on purpose. He speaks in a complaining tone and puts his arm on his forehead the way a fainting lady would. 10Hence, through this “mise en scene” which merges camera movements, actors’ direction, settings and costumes, Spielberg builds up an atmosphere which reminds us of drama without neglecting the specificities of cinema. . Its central element is the “Croc Clock”, a gigantic stuffed crocodile, undoubtedly the very one which used to terrify Hook and eventually succeeded in eating his prey in Barrie’s original tale. » Donna R. Whie and Anita C. Tarr and. Even though Forster’s effort has often been described as a toned down and romantic depiction of Barrie’s existence. Belphégor est mis à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. […] To visually underscore the importance of lost time, Spielberg fills the mise-en-scène with an almost numbing variety of time pieces, from postcard-perfect shots of Big Ben, to the intimate pocket watch Peter gives his son Jack (Charlie Korsmo), to Hook's (Dustin Hoffman) emblematic museum of broken clocks. Hogan mit Rachel Hurd-Wood, Jeremy Sumpter und Jason Isaacs. Nach und nach begreift Wendy jedoch, dass es nicht nur Vorteile hat, für immer ein Kind zu bleiben, da man dann wohl nie Gefühle wie Liebe verstehen wird. Fardé, il porte une perruque et se fait passer pour un précepteur auprès des enfants de Banning12. Cyrille Bossy confirms this thesis in his book devoted to the American Director, I argue that in order to see the aesthetic of, « The most cinematic example of the former [time's passage] emerges in director Steven Spielberg's, The opulent baroque set of the pirates’ harbor, , for example, illustrates well the old-fashioned atmosphere the director tried to evoke. Barrie had not yet published the definitive dramatic text of Peter Pan, a black and white silent film was directed by Herbert Brenon. The scene occurs indoors and is dimly lit with candles24. A disheveled Hook slumps head-down on a scarlet and gold throne-like chair at his desk, his unkempt hair spilling out and dominating the image. Hierdoor zijn de elfjes die in de film verschijnen echte acteurs die in de film zijn verwerkt met de computer. People pretend that they don’t realize it was impossible that it was there, that maybe someone built that and it’s just fine29. He is put in a situation very similar to the monologue or the aside in drama when the actor’s lines are addressed to himself or the audience rather than the other characters. In dem Film aus dem Jahr 2003 führte P. J. Hogan (Die Hochzeit meines besten Freundes, Muriels Hochzeit) Regie. Hook, who seems to revel in how grotesque he is, is harmlessly, lyrically nutty. De film werd gemaakt in opdracht van Universal Pictures. Brenon, Herbert dir. In de film bezoekt een jonge jongen, Peter Pan (Jeremy Sumpter), van tijd tot tijd zijn geboorteplaats Londen. In traditional drama, it would have been considered a transgression of decorum although it was not unusual: in Shakespeare’s plays, for instance, characters were often ferociously amputated or slain on stage. Peter Pan est un film réalisé par P.J. De tekst is beschikbaar onder de licentie. It was an immediate and unanimous success everywhere it went from the very beginning. The effect is like an entertainment park where each attraction is supposed to isolate you in a different world, even though it belongs to a larger environment. Johnny Depp and Kate Winslet. Disney Pictures, 1953. It has to be slapstick, bump-your-head, fall down, sees stars, ”. 6 L'écran Fantastique n°125, avril/mai 1992, p.38 as quoted by Bossy 176. He symbolically dresses Peter Banning’s son Jack exactly like himself when he holds him under his influence and yearns to become a father-like figure. is a charming but heavily fictionalized concoction, playing fast-and-loose with, Eighty years later, in 2004, director Marc Forster released a film on J.M. The screenplay is based on the 1904 play and 1911 novel Peter Pan, or The Boy Who Wouldn't Grow Up by J.M. Plannen om Tinker Bell en de andere elfjes volledig computergegenereerd te maken, werden afgewezen. In addition, Friedman identifies “a subtle confounding of masculine and feminine attributes” in this character and he goes even further asserting that: “[…] the symbol of Hook’s appearance and personality points to a complex, undifferentiated and dark interrelation of masculine and feminine qualities14.” This kind of ambiguous character appeared frequently in pantomimes or even in the Commedia dell’arte and one cannot help but identify James Hook as a character extracted from such popular dramatic entertainments15. While insisting on the notion of an interaction between cinema and drama in the aesthetic of his film, Marc Forster, who was the last to release a major production of, , puts the cinematic rewriting and remodeling of, into perspective. Jason Isaacs speelt de rol van Kapitein Haak en van George Darling, terwijl Jeremy Sumpter de rol van Peter Pan vertolkte. Costumes and make-up are essential to Hook and his court: pirates wear earrings and cutlasses, brightly colored sashes and blunderbusses, ponytails and pistols. Poncet, Marie-Thérèse. Company Credits 19 « Peter Pan » films in review 4 (1953) 94 as quoted in Kavey 178. Het was de eerste grote live-action productie van het verhaal (op scherm) waarin een echte jongen de hoofdrol kreeg. In this version, it is James Hook’s sinister and virile facets which are accentuated. Sa prestation achevée, il regagne sa loge (cabine) pour se débarrasser de son accoutrement face à une multitude de miroirs. This sight generates pathos but also visually reminds viewers of Shakespeare’s character Puck with his pipes, or even of a pastoral painting. Torrence also brought his talent to Broadway where he took part in musicals, operas and operettas such as The Night Boat, The Dove of Peace or Modest Suzanne in the 1920s. In 1924, as J.M. Moreover, he performs under the direction of Tinker Bell, who plays, hidden in his hat, the role of a stage director. 225. There is violence in the actions of, and consequently in the images that are displayed: a pocket watch being smashed, a nude torso and a scarred stump. Hogan regisseerde de film geschreven door Michael Goldenberg en gebaseerd op het boek Peter and Wendy van J.M. Actually, even though most of the film is supposed to take place in outside-door locations, with the exception of a few panoramic shots, the characters seem to live in closed and circular areas. This “Mise en Abyme” is one more hint at the existence of a connecting thread – the one of the dramatic origins– binding all the adaptations. Mais la vie n'y est pas aussi féerique qu'elle semble le promettre. Kindermädchen Nana, eine Bernhardinerhündin, darf nicht mehr ins Haus und ab dem nächsten Tag wird Wendy von ihrer strengen Tante erzogen. Academic Research Library Proquest Mar.19, 2009. Peter Pan. and Friedman Lester D., Second Star to the Right: Peter Pan in the Popular Imagination. 9 « The most cinematic example of the former [time's passage] emerges in director Steven Spielberg's lavish production of Hook […] To visually underscore the importance of lost time, Spielberg fills the mise-en-scène with an almost numbing variety of time pieces, from postcard-perfect shots of Big Ben, to the intimate pocket watch Peter gives his son Jack (Charlie Korsmo), to Hook's (Dustin Hoffman) emblematic museum of broken clocks. I give you CAPTAIN JAMES HOOOOOK!' It stars Hugh Jackman as a fictionalized version of Blackbeard, Garrett Hedlund as Hook, Rooney Mara as Tiger Lily, and Levi Miller as Peter Pan. Official Sites “The pain behind Peter Pan”, U.S. News & World Report. It is a theatrical setting well fitted to such and overweening character. Peter Pan est un film américain fantastique d'aventure, sorti en 2003, réalisé par P. J. Hogan et écrit par ce dernier et Michael Goldenberg.. Ed. Barrie’s story of “the boy who would not grow up” was brought to life on stage. Le studio n'a pas cherché à “caster” une actrice amérindienne, car Lupita Nyong'o et Adèle Exarchopoulos ont été également envisagées[9],[10]. It is only one of many objects Spielberg uses to underscore the passing of time9. . Perf. | dir. Peter will die Kinder retten und es kommt zum finalen Kampf zwischen Hook und Peter. in which the hero, Peter Banning, a grown-up yuppie version of Barrie’s Peter, attends the school play of his daughter Moira, who performs the role of Wendy – her grandmother in the film. Hanson, Bruce K. The Peter Pan Chronicles – The Nearly One-Hundred-Year History of the Boy Who Wouldn’t Grow Up. . » J.M. EBSCO Mar. 23Finding Neverland has already been introduced as a work examining art and imagination, and among other things, Forster shows us that, in drama like in cinema, the audience needs to relinquish part of its incredulity and by extension releases its imagination: 24The audience needs not to notice the visual effects as such. Nevins, Debby. Elspeth Chapin, a reviewer of the 1953 film writes: “Disney seems to eschew the subtler points of human frailty. De film werd gemaakt in opdracht van Universal Pictures. Barrie. See illustrations 13,14. URL: http://journals.openedition.org/belphegor/397; DOI: https://doi.org/10.4000/belphegor.397. Peter Pan is een film die in première ging op 25 december 2003 in de Verenigde Staten. 18Finally, P.J. , explained about Barrie that « he remains a strong, ostensibly self-denying but actually conspicuous persona between his creations and their audience. It has to be slapstick, bump-your-head, fall down, sees stars19”. It is probably because it originated from oral narratives and was generically reconfigured by its very creator, has been the ideal vector for directors to experiment with their art and offer hybrid aesthetics, underwent were, I argue, greatly instrumental in insuring the tale’s pertinence for contemporary audiences and therefore in keeping the interest in, alive throughout the years. (108). Indeed, for the creator of Peter Pan, the then revolutionary medium of cinema should have been able to project his fairy tale still further into a world of magic and illusion: he thought that the flying sequence and Never Land, in particular, deserved to be depicted more vividly. Furthermore in Spielberg’s film, Hook’s cabin seems to contain a stage since his bed is on an elevated spot and the luxury of the room brings to mind the decorations of beautiful theatre houses and their dressing rooms16. C’est un personnage de pantomime, caricatural, grotesque et pathétique. Pan est un film fantastique américain réalisé par Joe Wright, sorti en 2015. A few seconds later, the first of a series of encounters between Hook and the crocodile occurs. Diese Seite wurde zuletzt am 3. 33 Plana enlarges up on the benefits of the contacts between several art forms: « L'art conscient de lui même n'ignore pas les voisinages, les connexions entre les modes d'expression, les assume et, rejetant de plus en plus l'idée de sa « pureté », y voit un agent d'enrichissement, de remise en question productive, voire de progrès. is a charming but heavily fictionalized concoction, playing fast-and-loose with the facts of Barrie's life in order to tell a simpler, more romantic story. Il travaillera avec d'autres orphelins de toutes époques, de tous pays, dans une mine pour Barbe Noire à la recherche du « pixom ». Finding Neverland, een film over J. M. Barrie en de ontwikkeling van Peter Pan, was oorspronkelijk voorzien voor 2003. https://nl.wikipedia.org/w/index.php?title=Peter_Pan_(2003)&oldid=49281905, Wikipedia:Geen afbeelding lokaal en geen op Wikidata, Creative Commons Naamsvermelding/Gelijk delen. Captain Hook, in particular, is rigged out in long curls, foppish and ornate clothing like the red and gold braided waistcoat he has on in this scene, and his eyes are underlined with mascara13. „Der Film wird von digitalen Effekten sowie von spektakulären, mitunter recht handfesten Kämpfen geprägt, wobei er nicht ungeschickt die Balance mit der hintergründigen Melancholie der Vorlage hält.“. 14 For both quotations, Friedman refers to Yeoman Now or Neverland 133 in Kavey 202. April 2004 in den deutschen Kinos. Spielberg does not content himself with the theatrical aspect of his settings, however also brings out the dramatic origins of. Peter Pan was the final Disney animated feature released through RKO before Walt Disney founded his own distribution company, Buen… Ernest Torrence was a Scottish actor who appeared in several Hollywood films, both silent and talki, In the other adaptations, the gender ambiguity of Hook is far less exploited but his initial appearance is no less striking than in Spielberg’s version. Another effective way to insist on the dramatic inheritance in all the adaptations is to look at Captain James Hook: the way his first entrance is managed and the actor’s performance itself are the most important histrionic element in the films. Darling, Wendys Vater. 31 The Man Who Was Peter Pan (1998) by Allan Knee. It brings to mind J.M. The other locations in Neverland look just as artificial: the forest where the Lost Boys live; the circuit they arrange to train Peter Banning, with its cardboard and plaster rocks; or even the small pool which contains the underwater world of the mermaids. Friedman describes him as an “operatic Hook”, probably because of his costume and the acting tradition Torrence belongs to. (Ed. Haak kan hem bijna verslaan maar Wendy laat zien dat ze van hem houdt en zo wordt Peter sterker dan ooit. Another remarkable aspect of this scene is the setting with the throne-like chair, which provides the same kind of authority as the red carpet and stairs do for Dustin Hoffman’s Hook, and creates a similar baroque atmosphere. Son entrée en scène est elle aussi traitée sur le mode théâtral : lever de rideau (les voiles du navire lors du plan-découverte du Jolly Ranger), venue annoncée, préparée par un autre personnage (Mouche), apparition sur un promontoire face à une foule (son équipage), descente d’un escalier, tapis rouge. Perf. 13 See illustrations 13,14. The same applied to the following quotations. In traditional drama, it would have been considered a transgression of decorum although it was not unusual: in Shakespeare’s plays, for instance, characters were often ferociously amputated or slain on stage. “Peter Pan turns 100”, Smithsonian Washington: Dec 2004. vol. Barrie’s published dramatic text: Peter Hollindale, a lecturer specialized in literature for children who wrote the preface from the, In the films, the captain’s first appearance is actively managed by the film makers so it is as impressive and spectacular as it was on stage. In seiner Ehre gekränkt, beschließt Mr. In the novel, J.M Barrie elaborates on each pirate, giving them a background and a few striking features. Besides, J.M. Une pétition est même lancée pour que la Warner engage des acteurs de couleur[12]. Hook’s fantastically huge galleon dominates the local dock, and the whole place is teeming with grinning pirates and bathed in overly bright fake sunshine. Le paradoxe est que, dans ce rapprochement même des formes, les artistes (et ceux qui analyseront leurs oeuvres) pourront percevoir plus clairement ce qui reste de l'identité d'un art : devenus proches, cinéma, roman et théâtre doivent plus que jamais s'assurer de ce qui les rend uniques et irremplaçables... » Muriel Plana, Roman, théâtre, cinéma – Adaptations, hybridations et dialogues des arts (Paris : Bréal, 2004) « Avant-propos ». Peter weiß aber gar nicht was ein Kuss ist und gibt ihr eine Eichel, die Wendy dann das Leben rettet. Paramount Pictures 1924. Sylvia, who has been too ill, has not been able to attend the play inspired by her boys, so Barrie decides to organize a performance in her living room. Barrie, James Matthew. These confrontations, which are multiplied and expanded in the film, are treated with the full resources of animation: speed and agility of the characters, humorous repetition of movements, and tight synchronization of image and sound. Friedman describes him as an “operatic Hook”, probably because of his costume and the acting tradition Torrence belongs to. Jeden Abend erzählt sie ihren Brüdern von geheimnisvollen Welten, bösen Piraten und anderen Fantasiewesen. “Peter Pan Complex: Marc Forster Enters J. M. Barrie’s World with ’Finding Neverland’.” Film Journal International 107.10 (Oct. 2004): 14. The episodes with the captain seem to be so many occasions to celebrate the possibilities of animation. » White xii. For instance, when Peter Banning has just landed in Neverland, the camera adopts alternatively the character’s viewpoint – his field of vision is hampered by his children’s bed-sheet which acts as a screen – and, in the reverse short, an exterior viewpoint which shows the sheet deformed by the character it hides. In the film, the camera remains static and offers a pre-eminently frontal and panoramic vision of the scenes placing the viewers in a remote position similar to the one of the audience in the orchestra of a theatre. 19This presentation relies on provocation. Another example from this latest cinematographic adaptation is the image of Peter lying against a statue during the fight which takes place in Marooner’s Rock26. Il est une adaptation libre de l’œuvre créée par J. M. Barrie au début du XX e siècle racontant l'histoire de Peter Pan Synopsis. Universal Studio, 2003. Spielberg must have wanted everything to look cheesy on purpose…4. There is violence in the actions of Hook and consequently in the images that are displayed: a pocket watch being smashed, a nude torso and a scarred stump. Actually, this scenery is so sophisticated that one can hardly believe it fits in the garden, nor can one imagine that it was possible to achieve such realistic sets at the time30. , it is undeniable that the young director created a poetic film which defends the power of invention, dream and creativity – notably by using sophisticated visual effects which are meant to visualize the mechanisms of Barrie’s imagination. A holder of his own contrivance is in his mouth enabling him to smoke two cigars at once. "- Peter Pan. This introduction provides an effective foretaste of what the audience should expect of the new Captain Hook: he is far from being as preposterous and endearing as Disney’s and is also far from Spielberg’s eccentric dandy. 4 Owen Gleiberman, « Hook » http://www.ew.com/ew/article/0,,316539,00.html. (N.J.: Rutgers University Press, 2009) 196. Another example from this latest cinematographic adaptation is the image of Peter lying against a statue during the fight which takes place in Marooner’s Rock. It is epitomized in the opening of. P.J. The episodes with the captain seem to be so many occasions to celebrate the possibilities of animation. Barrie’s interventionist voice both in the script of the play and in the novel11. » (Gleiberman 1). 26, 2009. England vor rund 100 Jahren. In P. J. Hogans Peter Pan geht Rachel Hurd-Wood zu Jeremy Sumpter ins Nimmerland. Universal Studio, 2003. For Friedman, this rendering of the character “amuses modern viewers” although Brenon’s James Hook represents “a menacing antagonist” for Peter and his first introduction “confirms how much his own men fear him18”, which is something that is also well conveyed in Hook in 1991. Hook. Le script de Pan est présent sur la Black List de 2013, qui recense les scénarios de film sans studio[4]. Il raconte d'ailleurs que son plateau était un des plus grands jamais vus à Hollywood depuis le temps du Magicien d'Oz, film qui l'inspira […] » 93. J. M. Barrie’s Peter Pan In And Out of Time: A Children’s Classic at 100. A disheveled Hook slumps head-down on a scarlet and gold throne-like chair at his desk, his unkempt hair spilling out and dominating the image. Hogan’s handling of Hook’s presentation in 2003 conspicuously departs from his filmic forebears but is just as memorable. The scene occurs indoors and is dimly lit with candles. Somit kommt er zu einem Schluss: Wendy kann nicht bei ihm und bei ihrer Mutter sein. Nonetheless, however dark his first appearance in the intimate environment of his cabin is, it also contains theatrical dimensions and follows the tradition established by Barrie’s play and the filmic antecedents. Plana, Muriel. But there is also a very perceptible sense of tradition in all the films. It brings to mind J.M. Cyrille Bossy confirms this thesis in his book devoted to the American Director Steven Spielberg, Un Univers de Jeux: Hook est un film sur la mise en scène et sur le spectacle sous toutes ses formes : cinéma, théâtre, comédie musicale, parc d’attractions…auxquels il [Spielberg] entend emprunter à chacun son esthétique – d’où le parti pris d’un tournage en studio, de décors ouvertement factices, d’où le choix d’un conseiller visuel issu de la production théâtrale [John Napier, who designed the outstanding sceneries for Cats and Les Misérables]5.